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Arne Schreiber analyses conditions and concepts of painting by arranging his image objects like empirical experiments. In order for a scientific test to accorded validity, the conditions under which it was carried out must be universally verifiable. In Schreiber's experimental set-up, painting is concentrated to a syntax of black lines on white background - a structure which has no discernible beginning or end. The plane itself consists of several standardised wooden panels and presents a grid structure which indicates even the smallest change as it acts like a frame of reference.
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