Tuesday, February 16, 2010

Arne Schreiber, Galerie Koal, Berlin, Germany, February 13-April 4, 2009

Click here for Galerie Koal


Arne Schreiber analyses conditions and concepts of painting by arranging his image objects like empirical experiments. In order for a scientific test to accorded validity, the conditions under which it was carried out must be universally verifiable. In Schreiber's experimental set-up, painting is concentrated to a syntax of black lines on white background - a structure which has no discernible beginning or end. The plane itself consists of several standardised wooden panels and presents a grid structure which indicates even the smallest change as it acts like a frame of reference.

SNO 56, Assemblage No. 4, Sydney Non Objective, Sydeny, Austrailia, February 6-February 28, 2010

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Syra Gied and Nicola Stäglich live and work in Berlin, while Giles Ryder and Bonita Bub resided there until recently.

Curated by Giles Ryder

Wall work: Olivier Mosset

Assemblage artists: Eleanor Avery, Bonita Bub, Lesley Dumbrell, Janenne Eaton, Surya Gied, Lorna Grear, Katja Kollowa, Jess Johnson, Gunna Schmidt, Nicola Stäglich, Henriëtte van't Hoog, Elke Varga, Emma White.























Nicola Stäglich



Dirk Rathke, Curved Canvases, Gallery Sonja Roesch, Houston, TX, January 23-February 27

Click here for Gallery Sonja Roesch
Click here for the website of Dirk Rathke