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Arne Schreiber analyses conditions and concepts of painting by arranging his image objects like empirical experiments. In order for a scientific test to accorded validity, the conditions under which it was carried out must be universally verifiable. In Schreiber's experimental set-up, painting is concentrated to a syntax of black lines on white background - a structure which has no discernible beginning or end. The plane itself consists of several standardised wooden panels and presents a grid structure which indicates even the smallest change as it acts like a frame of reference.
Tuesday, February 16, 2010
SNO 56, Assemblage No. 4, Sydney Non Objective, Sydeny, Austrailia, February 6-February 28, 2010
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Syra Gied and Nicola Stäglich live and work in Berlin, while Giles Ryder and Bonita Bub resided there until recently.
Curated by Giles Ryder
Wall work: Olivier Mosset
Assemblage artists: Eleanor Avery, Bonita Bub, Lesley Dumbrell, Janenne Eaton, Surya Gied, Lorna Grear, Katja Kollowa, Jess Johnson, Gunna Schmidt, Nicola Stäglich, Henriëtte van't Hoog, Elke Varga, Emma White.
Nicola Stäglich
Syra Gied and Nicola Stäglich live and work in Berlin, while Giles Ryder and Bonita Bub resided there until recently.
Curated by Giles Ryder
Wall work: Olivier Mosset
Assemblage artists: Eleanor Avery, Bonita Bub, Lesley Dumbrell, Janenne Eaton, Surya Gied, Lorna Grear, Katja Kollowa, Jess Johnson, Gunna Schmidt, Nicola Stäglich, Henriëtte van't Hoog, Elke Varga, Emma White.
Nicola Stäglich
Labels:
Giles Ryder.Nicola Stäglich,
Surya Gied
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